Upcoming exhibition

Charlotte Perriand
L’art d’habiter / The Art of Dwelling
Kaiser Wilhelm Museum, Haus Esters, Haus Lange

OPENING: November 2, 2025, 11.30 am

With the exhibition L'Art d'habiter. The Art of Dwelling, the Kunstmuseen Krefeld present the first major retrospective in Germany devoted to French architect and designer Charlotte Perriand (1903–1999). One of the most influential figures in Le Corbusier’s circle, she helped shape modern living by uniting innovative design with a vision for progressive social change

The exhibition is being developed in close collaboration with the Archives Charlotte Perriand and offers a fresh perspective on Perriand’s life’s work through the lens of spatial design. From her early iconic tubular steel furniture and experimental minimalist dwellings of the interwar period, to the modular storage systems of the postwar years and culminating in her most ambitious project – the alpine ski resort Les Arcs – L’Art d’habiter showcases Perriand’s design philosophy and her commitment to shaping living environments as a form of social engagement. Her work proves to be strikingly relevant today – not only in light of contemporary architectural and design discourse, but also in response to urgent ecological and social challenges.

As the main exhibition of the 2025 season, L’art d’habiter will be on view at the Kaiser Wilhelm Museum (KWM) as well as Haus Lange and Haus Esters, designed by Ludwig Mies van der Rohe. Across these three venues, a multifaceted and dynamic portrait of Charlotte Perriand’s work unfolds. At its core are her dialogue with the environment, nature, and foreign cultures; her political stance; and her thoughtful engagement with traditional craftsmanship in the context of industrial production. The exhibition also sheds light on Perriand’s use of photography and photomontage—media through which she deepened the social dimension of her artistic vision.

Kaiser Wilhelm Museum (KWM)

The exhibition features numerous rare original pieces of furniture, archival documents, photographs, and film footage on loan from renowned international institutions. Full-scale spatial reconstructions bring Perriand’s designs vividly to life while thematic sections trace the evolution of her design approach from the 1920s through the 1970s.

Haus Lange

The presentation at Haus Lange focuses on Perriand’s central philosophy of the Synthesis of the Arts. It offers an exploration of her time spent in Japan, Indochina, and Brazil, highlighting her transcultural dialogues and collaborations with leading artistic figures such as Fernand Léger and Isamu Noguchi.

Haus Esters

At Haus Esters, Charlotte Perriand’s work is placed in an international context through selected positions in modern and contemporary art. Highlights from the Kunstmuseen Krefeld’s design collection illustrate the lasting impact of her work—and its continued relevance in today’s world.

An exhibition organized by the Kunstmuseen Krefeld in cooperation with the Museum der Moderne Salzburg and the Fundació Joan Miró, Barcelona.

Curated by Katia Baudin with Waleria Dorogova, and Juliane Duft (until March 2025), with special support from Pernette Perriand and Jacques Barsac.

Charlotte Perriand lying on the Chaise longue basculante by Le Corbusier, Pierre Jeanneret, Charlotte Perriand, 1928 
Archives Charlotte Perriand 
© FLC, VG Bild-Kunst, Bonn, 2025
© VG Bild-Kunst, Bonn, 2025
Charlotte Perriand lying on the Chaise longue basculante by Le Corbusier, Pierre Jeanneret, Charlotte Perriand, 1928 Archives Charlotte Perriand © FLC, VG Bild-Kunst, Bonn, 2025 © VG Bild-Kunst, Bonn, 2025
Le Corbusier, Pierre Jeanneret, Charlotte Perriand,
Prototype of the Fauteuil grand confort (large model), 1928 
Centre Pompidou, Musée na-tional d’art moderne 
Photo: bpk / MNAM-CCI / Bertrand Prévost
© FLC, VG Bild-Kunst, Bonn, 2025
© VG Bild-Kunst, Bonn, 2025
Le Corbusier, Pierre Jeanneret, Charlotte Perriand, Prototype of the Fauteuil grand confort (large model), 1928 Centre Pompidou, Musée na-tional d’art moderne Photo: bpk / MNAM-CCI / Bertrand Prévost © FLC, VG Bild-Kunst, Bonn, 2025 © VG Bild-Kunst, Bonn, 2025
Photography of Charlotte Perriand, Synthèse des Arts, 
Japan Exhibition, 1955  
(left: Le Corbusier, Les „8“, 1951)  
© Archives Charlotte Perriand (AChP) © Fondation Le Corbusier (F.L.C.) / VG Bild-Kunst, Bonn, 2025
Photography of Charlotte Perriand, Synthèse des Arts, Japan Exhibition, 1955
(left: Le Corbusier, Les „8“, 1951)
© Archives Charlotte Perriand (AChP) © Fondation Le Corbusier (F.L.C.) / VG Bild-Kunst, Bonn, 2025
Charlotte Perriand, 
Fauteuil pivotant, 1927
Galerie Ulrich Fiedler 
© VG Bild-Kunst, Bonn, 2025
Charlotte Perriand, Fauteuil pivotant, 1927 Galerie Ulrich Fiedler © VG Bild-Kunst, Bonn, 2025
Charlotte Perriand, Gouache and photomontage of the équipement intérieur d’une habitation, shown at the 1929 Salon d’automne 
Published in L’Architecture vivante, 1930, Collection Kunstmuseen Krefeld 
© FLC, VG Bild-Kunst, Bonn, 2025
© VG Bild-Kunst, Bonn, 2025
Charlotte Perriand, Gouache and photomontage of the équipement intérieur d’une habitation, shown at the 1929 Salon d’automne Published in L’Architecture vivante, 1930, Collection Kunstmuseen Krefeld © FLC, VG Bild-Kunst, Bonn, 2025 © VG Bild-Kunst, Bonn, 2025
Le Corbusier, Charlotte Perriand, Djo Bourgeois, Jean Fouquet, and Percy Scholefield in the Bar sous le Toit, 1928
Photo: Pierre Jeanneret
gta Archiv / ETH Zürich, Alfred Roth 
© FLC, VG Bild-Kunst, Bonn, 2025
© VG Bild-Kunst, Bonn, 2025
Le Corbusier, Charlotte Perriand, Djo Bourgeois, Jean Fouquet, and Percy Scholefield in the Bar sous le Toit, 1928 Photo: Pierre Jeanneret gta Archiv / ETH Zürich, Alfred Roth © FLC, VG Bild-Kunst, Bonn, 2025 © VG Bild-Kunst, Bonn, 2025
Charlotte Perriand, André Tournon, Refuge Bivouak (mountain shelter) on Mont Joly, Saint-Nicolas-de-Véroce, winter 1938/39 
Photo: Charlotte Perriand
Archives Charlotte Perriand
© VG Bild-Kunst, Bonn, 2025
Charlotte Perriand, André Tournon, Refuge Bivouak (mountain shelter) on Mont Joly, Saint-Nicolas-de-Véroce, winter 1938/39 Photo: Charlotte Perriand Archives Charlotte Perriand © VG Bild-Kunst, Bonn, 2025
Martin Szekely, Domeau & Pérès, Domo, 2005  

Armchair,  75 × 93 x 76 cm
  
Collection Kunstmuseen Krefeld  
© Domeau & Pérès, Martin Szekely  
Photo: Kunstmuseen Krefeld / Volker Döhne
Martin Szekely, Domeau & Pérès, Domo, 2005

Armchair, 75 × 93 x 76 cm

Collection Kunstmuseen Krefeld
© Domeau & Pérès, Martin Szekely
Photo: Kunstmuseen Krefeld / Volker Döhne
Martin Szekely, 2003  
Sketch with notes  
29,7 × 21 cm  
Collection Kunstmuseen Krefeld  
© Martin Szekely
Martin Szekely, 2003
Sketch with notes
29,7 × 21 cm
Collection Kunstmuseen Krefeld
© Martin Szekely
Paul Dresler, Vase, 1922  
Töpferei Grootenburg, Krefeld, Ausführung  
13,8 × 13,5 cm  
Collection Kunstmuseen Krefeld  
Photo: Kunstmuseen Krefeld / Volker Döhne
Paul Dresler, Vase, 1922
Töpferei Grootenburg, Krefeld, Ausführung
13,8 × 13,5 cm
Collection Kunstmuseen Krefeld
Photo: Kunstmuseen Krefeld / Volker Döhne