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Preview 2024

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Publication free of charge is only permitted in the context of current reporting (from 3 months before the start of the exhibition until 6 weeks after the end of the exhibition). Uses in social media are not permitted without permission and are also generally subject to a fee. All other uses are subject to licensing and fees. In this case, please contact VG Bild-Kunst directly: reproduktionsrechte@bildkunst.de

Press images

Stéphane Calais, nr 1, Jouet (la partition) (les jetons), 2001,  
Collection Frac Grand Large — Hauts-de-France  
© VG Bild-Kunst, Bonn, 2024
Stéphane Calais, nr 1, Jouet (la partition) (les jetons), 2001,
Collection Frac Grand Large — Hauts-de-France
© VG Bild-Kunst, Bonn, 2024
Robert Stadler, Pools & Pouf !, 2004,
Collection Frac Grand Large — Hauts-de-France  
© VG Bild-Kunst, Bonn, 2024
Robert Stadler, Pools & Pouf !, 2004, Collection Frac Grand Large — Hauts-de-France
© VG Bild-Kunst, Bonn, 2024
Celine Condorelli, Play for Today, 2021,
Cold resin paint on asphalt  
© Celine Condorelli  
Photo: FRAC Grand Large
Celine Condorelli, Play for Today, 2021, Cold resin paint on asphalt
© Celine Condorelli
Photo: FRAC Grand Large
Exterior view of the FRAC Grand Large in Dunkerque, France,
Photo: Martin Argyroglo
Exterior view of the FRAC Grand Large in Dunkerque, France, Photo: Martin Argyroglo
Liora Epstein, dispersed non-existence (Installation view), 2023  
© Liora Epstein, Ivo Faber  
Photo: Ivo Faber
Liora Epstein, dispersed non-existence (Installation view), 2023
© Liora Epstein, Ivo Faber
Photo: Ivo Faber
Jürgen Drescher, Reinhard Mucha, Verkaufen, 1981, Schenkung von/donation from Max Hetzler & Kasper König, 
Installationsansicht/installation view, KWM  
© VG Bild-Kunst, Bonn, 2024  
Foto/Photo: Dirk Rose
Jürgen Drescher, Reinhard Mucha, Verkaufen, 1981, Schenkung von/donation from Max Hetzler & Kasper König, Installationsansicht/installation view, KWM
© VG Bild-Kunst, Bonn, 2024
Foto/Photo: Dirk Rose
Marion Baruch, Contenitore Ambiente, 1971-2023,
Gelatin silver print re-edition, 19 × 28.3 cm (print),
Photo: Gianni Berengo Gardin/Fondazione Forma per la Fotografia,
Courtesy the artist and Galerie Urs Meile, Beijing-Lucerne
Marion Baruch, Contenitore Ambiente, 1971-2023, Gelatin silver print re-edition, 19 × 28.3 cm (print), Photo: Gianni Berengo Gardin/Fondazione Forma per la Fotografia, Courtesy the artist and Galerie Urs Meile, Beijing-Lucerne
Marion Baruch, L’enchanteur, 2016,
Purple wool fabric, 232 × 186 cm,
Courtesy the artist, Gallery Urs Meile, Beijing-Lucerne and Sommer, Contemporary Art, Tel Aviv-Zurich,
Photo: Peter Colombo
Marion Baruch, L’enchanteur, 2016, Purple wool fabric, 232 × 186 cm, Courtesy the artist, Gallery Urs Meile, Beijing-Lucerne and Sommer, Contemporary Art, Tel Aviv-Zurich, Photo: Peter Colombo
Marion Baruch, Porta nel paesaggio, 2017,
Black wool and polyester blend, 250 × 213 cm,
Courtesy the artist, Galerie Urs Meile, Beijing-Lucerne and Sommer, Contemporary Art, Tel Aviv-Zurich,
Photo: Eyal Agivayev
Marion Baruch, Porta nel paesaggio, 2017, Black wool and polyester blend, 250 × 213 cm, Courtesy the artist, Galerie Urs Meile, Beijing-Lucerne and Sommer, Contemporary Art, Tel Aviv-Zurich, Photo: Eyal Agivayev
Marion Baruch, Une chambre vide, 2009,  
© Marion Baruch / Courtesy Marion Baruch,
Photo: Corinne Vigne-Loup
Marion Baruch, Une chambre vide, 2009,
© Marion Baruch / Courtesy Marion Baruch, Photo: Corinne Vigne-Loup
Anna K.E., Mandala: Tranquil Gaze (Detail), 2022, Metal, MDF wood, plastic, various types of grains, 420 × 180 x 10 cm,
© Anna K. E.,
Courtesy Barbara Thumm Gallery,
Photo: George Kolbaia
Anna K.E., Mandala: Tranquil Gaze (Detail), 2022, Metal, MDF wood, plastic, various types of grains, 420 × 180 x 10 cm, © Anna K. E., Courtesy Barbara Thumm Gallery, Photo: George Kolbaia
Anna K.E., I Ask No More (ASANA: the fabric of real life, illuminations), 2016-2017  
Pencil, spray paint, oil stick, oil and acrylic on paper, 150 × 200 cm  
© Anna K.E.  
Courtesy Simone Subal Gallery  
Photo: Dario Lasagni
Anna K.E., I Ask No More (ASANA: the fabric of real life, illuminations), 2016-2017
Pencil, spray paint, oil stick, oil and acrylic on paper, 150 × 200 cm
© Anna K.E.
Courtesy Simone Subal Gallery
Photo: Dario Lasagni
Anna K.E., REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation…, 2019  
Engraved aluminum panels painted by Mercedes-Benz, 5 monitors showing video works, the first Georgian (Asomtavruli) alphabet in the form of taps spelling the English word "DERANGED"  
Installation view of the Pavilion Georgia, 58th Venice Biennale 2019  
© Anna K.E.  
Courtesy artist and Simone Subal Gallery  
Photo: Thomas Drechsler
Anna K.E., REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation…, 2019
Engraved aluminum panels painted by Mercedes-Benz, 5 monitors showing video works, the first Georgian (Asomtavruli) alphabet in the form of taps spelling the English word "DERANGED"
Installation view of the Pavilion Georgia, 58th Venice Biennale 2019
© Anna K.E.
Courtesy artist and Simone Subal Gallery
Photo: Thomas Drechsler
Frederick Kiesler, Raumstadt, Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris 1925  
black and white photography  
© 2023 Austrian Frederick and Lillian Kiesler Private Foundation, Vienna  
Photo: unknown
Frederick Kiesler, Raumstadt, Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris 1925
black and white photography
© 2023 Austrian Frederick and Lillian Kiesler Private Foundation, Vienna
Photo: unknown
Walter Pichler, Pneumatic Room (Prototype 5), 1966  
Sculpture PVC foil, PVC rings, suspension with steel cables and tension springs, pneumatic, electric blower, overall dimensions: 200 × 200 x 200 cm Reconstruction  
Generali Foundation with Walter Pichler, 2007  
Generali Foundation Collection - on permanent loan to the Museum der Moderne Salzburg  
Photo: Werner Kaligofsky, Bildrecht 2024
Walter Pichler, Pneumatic Room (Prototype 5), 1966
Sculpture PVC foil, PVC rings, suspension with steel cables and tension springs, pneumatic, electric blower, overall dimensions: 200 × 200 x 200 cm Reconstruction
Generali Foundation with Walter Pichler, 2007
Generali Foundation Collection - on permanent loan to the Museum der Moderne Salzburg
Photo: Werner Kaligofsky, Bildrecht 2024
Small Room (Prototype 4), 1967
Installation, 3 parts,
Helmet, polyester, painted white, built-in microphone, perforated viewing zone, 
48 × 40 x 40 cm;
Base, aluminum, natural rubber, PVC foil, reconstruction Generali Foundation, 1998
20 × 100 x 100 cm; 
Black and white photography, silver gelatine on canvas, integrated loudspeaker, eyelets, aluminum suspension, 
202 × 102 cm
Small Room (Prototype 4), 1967 Installation, 3 parts, Helmet, polyester, painted white, built-in microphone, perforated viewing zone, 48 × 40 x 40 cm; Base, aluminum, natural rubber, PVC foil, reconstruction Generali Foundation, 1998 20 × 100 x 100 cm; Black and white photography, silver gelatine on canvas, integrated loudspeaker, eyelets, aluminum suspension, 202 × 102 cm
Walter Pichler, Old figure, 1960-1963 (bed 1971)  
Wood, tin, copper, mattresses, linen, 91 × 92cm  
Photo: Johannes Stoll / Belvedere Vienna
Walter Pichler, Old figure, 1960-1963 (bed 1971)
Wood, tin, copper, mattresses, linen, 91 × 92cm
Photo: Johannes Stoll / Belvedere Vienna

Exhibitions

Kunst Hand Werk Brücke
HLHE DIALOGUE: Art x Craft
Slavs and Tatars: Handdschob
HLHE DIALOGUE: Art x Craft
Emma Talbot. Psyche
Collection Satellite #10
Beautiful Anarchy
Johan Thorn Prikker and His Time
Acaye Kerunen
Apoi
Bernhard Fuchs
Heustock
Charlotte Perriand
L’Art d’habiter / The Art of Dwelling

Current News

A major donation for the newly founded art foundation: Helmut Dorner in the "Sammlung in Bewegung" at the KWM
Gründung der „Kunststiftung an den Kunstmuseen Krefeld“
Katalog zur Ausstellung „Charlotte Perriand. L’Art d’habiter / Die Kunst des Wohnens“
Exhibitions in 2026 at the Kunstmuseen Krefeld
Provenienzforschung Ethnografische Sammlung
Krefeld wird Standort für Konkrete Kunst
Adolf-Luther-Stiftung und Kunstmuseen Krefeld starten enge Kooperation
Ankauf Wandgemälde Sarah Morris
Gerechte und faire Lösung: Campendonk bleibt in Krefeld

Collection shows

Neue Kabinett-Ausstellung im Adolf-Luther-Raum im KWM
Kunstvoll und handgefertigt
Neue Impulse für Sammlung in Bewegung im KWM
Gregor Schneider. Welcome
Fotografien und Film vom Künstler im KWM zu sehen
Sammlung in Bewegung -
Impressionismus, Rheinischer Expressionismus, Street Photography, Herbert Zangs
Sammlung in Bewegung - Neue Bauhausmöbel und mehr

General information

Ludwig Mies van der Rohe
Haus Lange Haus Esters
Kaiser Wilhelm Museum