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Preview 2024

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Publication free of charge is only permitted in the context of current reporting (from 3 months before the start of the exhibition until 6 weeks after the end of the exhibition). Uses in social media are not permitted without permission and are also generally subject to a fee. All other uses are subject to licensing and fees. In this case, please contact VG Bild-Kunst directly: reproduktionsrechte@bildkunst.de

Press images

Stéphane Calais, nr 1, Jouet (la partition) (les jetons), 2001,  
Collection Frac Grand Large — Hauts-de-France  
© VG Bild-Kunst, Bonn, 2024
Stéphane Calais, nr 1, Jouet (la partition) (les jetons), 2001,
Collection Frac Grand Large — Hauts-de-France
© VG Bild-Kunst, Bonn, 2024
Robert Stadler, Pools & Pouf !, 2004,
Collection Frac Grand Large — Hauts-de-France  
© VG Bild-Kunst, Bonn, 2024
Robert Stadler, Pools & Pouf !, 2004, Collection Frac Grand Large — Hauts-de-France
© VG Bild-Kunst, Bonn, 2024
Celine Condorelli, Play for Today, 2021,
Cold resin paint on asphalt  
© Celine Condorelli  
Photo: FRAC Grand Large
Celine Condorelli, Play for Today, 2021, Cold resin paint on asphalt
© Celine Condorelli
Photo: FRAC Grand Large
Exterior view of the FRAC Grand Large in Dunkerque, France,
Photo: Martin Argyroglo
Exterior view of the FRAC Grand Large in Dunkerque, France, Photo: Martin Argyroglo
Liora Epstein, dispersed non-existence (Installation view), 2023  
© Liora Epstein, Ivo Faber  
Photo: Ivo Faber
Liora Epstein, dispersed non-existence (Installation view), 2023
© Liora Epstein, Ivo Faber
Photo: Ivo Faber
Jürgen Drescher, Reinhard Mucha, Verkaufen, 1981, Schenkung von/donation from Max Hetzler & Kasper König, 
Installationsansicht/installation view, KWM  
© VG Bild-Kunst, Bonn, 2024  
Foto/Photo: Dirk Rose
Jürgen Drescher, Reinhard Mucha, Verkaufen, 1981, Schenkung von/donation from Max Hetzler & Kasper König, Installationsansicht/installation view, KWM
© VG Bild-Kunst, Bonn, 2024
Foto/Photo: Dirk Rose
Marion Baruch, Contenitore Ambiente, 1971-2023,
Gelatin silver print re-edition, 19 × 28.3 cm (print),
Photo: Gianni Berengo Gardin/Fondazione Forma per la Fotografia,
Courtesy the artist and Galerie Urs Meile, Beijing-Lucerne
Marion Baruch, Contenitore Ambiente, 1971-2023, Gelatin silver print re-edition, 19 × 28.3 cm (print), Photo: Gianni Berengo Gardin/Fondazione Forma per la Fotografia, Courtesy the artist and Galerie Urs Meile, Beijing-Lucerne
Marion Baruch, L’enchanteur, 2016,
Purple wool fabric, 232 × 186 cm,
Courtesy the artist, Gallery Urs Meile, Beijing-Lucerne and Sommer, Contemporary Art, Tel Aviv-Zurich,
Photo: Peter Colombo
Marion Baruch, L’enchanteur, 2016, Purple wool fabric, 232 × 186 cm, Courtesy the artist, Gallery Urs Meile, Beijing-Lucerne and Sommer, Contemporary Art, Tel Aviv-Zurich, Photo: Peter Colombo
Marion Baruch, Porta nel paesaggio, 2017,
Black wool and polyester blend, 250 × 213 cm,
Courtesy the artist, Galerie Urs Meile, Beijing-Lucerne and Sommer, Contemporary Art, Tel Aviv-Zurich,
Photo: Eyal Agivayev
Marion Baruch, Porta nel paesaggio, 2017, Black wool and polyester blend, 250 × 213 cm, Courtesy the artist, Galerie Urs Meile, Beijing-Lucerne and Sommer, Contemporary Art, Tel Aviv-Zurich, Photo: Eyal Agivayev
Marion Baruch, Une chambre vide, 2009,  
© Marion Baruch / Courtesy Marion Baruch,
Photo: Corinne Vigne-Loup
Marion Baruch, Une chambre vide, 2009,
© Marion Baruch / Courtesy Marion Baruch, Photo: Corinne Vigne-Loup
Anna K.E., Mandala: Tranquil Gaze (Detail), 2022, Metal, MDF wood, plastic, various types of grains, 420 × 180 x 10 cm,
© Anna K. E.,
Courtesy Barbara Thumm Gallery,
Photo: George Kolbaia
Anna K.E., Mandala: Tranquil Gaze (Detail), 2022, Metal, MDF wood, plastic, various types of grains, 420 × 180 x 10 cm, © Anna K. E., Courtesy Barbara Thumm Gallery, Photo: George Kolbaia
Anna K.E., I Ask No More (ASANA: the fabric of real life, illuminations), 2016-2017  
Pencil, spray paint, oil stick, oil and acrylic on paper, 150 × 200 cm  
© Anna K.E.  
Courtesy Simone Subal Gallery  
Photo: Dario Lasagni
Anna K.E., I Ask No More (ASANA: the fabric of real life, illuminations), 2016-2017
Pencil, spray paint, oil stick, oil and acrylic on paper, 150 × 200 cm
© Anna K.E.
Courtesy Simone Subal Gallery
Photo: Dario Lasagni
Anna K.E., REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation…, 2019  
Engraved aluminum panels painted by Mercedes-Benz, 5 monitors showing video works, the first Georgian (Asomtavruli) alphabet in the form of taps spelling the English word "DERANGED"  
Installation view of the Pavilion Georgia, 58th Venice Biennale 2019  
© Anna K.E.  
Courtesy artist and Simone Subal Gallery  
Photo: Thomas Drechsler
Anna K.E., REARMIRRORVIEW, Simulation is Simulation, is Simulation, is Simulation…, 2019
Engraved aluminum panels painted by Mercedes-Benz, 5 monitors showing video works, the first Georgian (Asomtavruli) alphabet in the form of taps spelling the English word "DERANGED"
Installation view of the Pavilion Georgia, 58th Venice Biennale 2019
© Anna K.E.
Courtesy artist and Simone Subal Gallery
Photo: Thomas Drechsler
Frederick Kiesler, Raumstadt, Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris 1925  
black and white photography  
© 2023 Austrian Frederick and Lillian Kiesler Private Foundation, Vienna  
Photo: unknown
Frederick Kiesler, Raumstadt, Exposition Internationale des Arts Décoratifs et Industriels Modernes, Paris 1925
black and white photography
© 2023 Austrian Frederick and Lillian Kiesler Private Foundation, Vienna
Photo: unknown
Walter Pichler, Old figure, 1960-1963 (bed 1971)  
Wood, tin, copper, mattresses, linen, 91 × 92cm  
Photo: Johannes Stoll / Belvedere Vienna
Walter Pichler, Old figure, 1960-1963 (bed 1971)
Wood, tin, copper, mattresses, linen, 91 × 92cm
Photo: Johannes Stoll / Belvedere Vienna
Walter Pichler, Pneumatic Room (Prototype 5), 1966  
Sculpture PVC foil, PVC rings, suspension with steel cables and tension springs, pneumatic, electric blower, overall dimensions: 200 × 200 x 200 cm Reconstruction  
Generali Foundation with Walter Pichler, 2007  
Generali Foundation Collection - on permanent loan to the Museum der Moderne Salzburg  
Photo: Werner Kaligofsky, Bildrecht 2024
Walter Pichler, Pneumatic Room (Prototype 5), 1966
Sculpture PVC foil, PVC rings, suspension with steel cables and tension springs, pneumatic, electric blower, overall dimensions: 200 × 200 x 200 cm Reconstruction
Generali Foundation with Walter Pichler, 2007
Generali Foundation Collection - on permanent loan to the Museum der Moderne Salzburg
Photo: Werner Kaligofsky, Bildrecht 2024

Exhibitions

Collection Satellite #9
The Bar. Liora Epstein in Dialog with Jürgen Drescher and Reinhard Mucha
Museum Without Borders
Art–Design / Dunkirk–Krefeld
MEHR MIES
Zwei Wochen Architektur pur in Haus Lange Haus Esters
The Grand Seduction
Karl Ernst Osthaus and the Beginnings of Consumer Culture
Sarah Morris
All Systems Fail
Sammlung in Bewegung – 15 Räume 15 Geschichten
Erich Heckel und das Kaiser Wilhelm Museum, 100 Vasen
Friends of Art – 40 Years of Collecting
Productive Spaces. Art and Design from Krefeld
Sammlung in Bewegung - 15 Räume 15 Geschichten
Schenkungen von Krefelder Künstler:innen

Current News

Sammlung in Bewegung - Neue Bauhausmöbel und mehr
Vermittlungsprogramm 2024, Studio 2
Preview 2024
Museum of the Year 2022: Official awards ceremony on September 10
Leihgaben der Kunsthalle Bremen in Krefeld
The Kunstmuseen Krefeld have been named Museum of the Year 2022
Acquisition Helmuth Macke: The Blue Room
K+ Café im KWM
Das zukünftige Café hat einen Namen gefunden
The Mondrian Case

Collection shows

Collection in Motion
15 Rooms 15 Stories
Highlights of the 21st Century Collection

General information

Ludwig Mies van der Rohe
Haus Lange Haus Esters
Kaiser Wilhelm Museum