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  • Exhibitions

ON AIR
The Sound of the Material in the Art of the 1950s to 1970s

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Publication free of charge is only permitted in the context of current reporting (from 3 months before the start of the exhibition until 6 weeks after the end of the exhibition). Uses in social media are not permitted without permission and are also generally subject to a fee. All other uses are subject to licensing and fees. In this case, please contact VG Bild-Kunst directly: reproduktionsrechte@bildkunst.de

Press images

Yaacov Agam Tableau Tactile Sonore, 1963 50 sheet metal capsule,, 50 coil springs, plywood board and box, kacquer 100 × 139 x 18,5 cm Kunstmuseen Krefeld © VG Bild-Kunst, Bonn Photo: unknown
Yaacov Agam
Tableau Tactile Sonore, 1963
50 sheet metal capsule,, 50 coil springs, plywood board and box, kacquer
100 × 139 x 18,5 cm
Kunstmuseen Krefeld
© VG Bild-Kunst, Bonn
Photo: unknown
Pol Bury Guitare, 1968 Wood, wire, electric motor 91,5 × 23,5 × 22 cm Edition 38/40 Adolf-Luther-Foundation, Krefeld © VG Bild-Kunst, Bonn Photo: Kunstmuseen Krefeld / Dirk Rose
Pol Bury
Guitare, 1968
Wood, wire, electric motor
91,5 × 23,5 × 22 cm
Edition 38/40
Adolf-Luther-Foundation, Krefeld
© VG Bild-Kunst, Bonn
Photo: Kunstmuseen Krefeld / Dirk Rose
Jannis Kounellis Senza Titolo (Da inventare sul posto), 1972 Oil on canvas, violinist, ballerina, score from La Pulcinella by Igor Strawinsky Painting: 270 × 300 cm Viehof Collection, formerly the Speck Collection Activation for exh. ON AIR. The Sound of Material in Art from the 1950s to the 1970s, Kunstmuseen Krefeld, 2022 © VG Bild-Kunst, Bonn 2022 Photo: Dirk Rose / Kunstmuseen Krefeld
Jannis Kounellis
Senza Titolo (Da inventare sul posto), 1972
Oil on canvas, violinist, ballerina, score from La Pulcinella by Igor Strawinsky
Painting: 270 × 300 cm
Viehof Collection, formerly the Speck Collection
Activation for exh. ON AIR. The Sound of Material in Art from the 1950s to the 1970s, Kunstmuseen Krefeld, 2022
© VG Bild-Kunst, Bonn 2022
Photo: Dirk Rose / Kunstmuseen Krefeld
Reiner Ruthenbeck Geräuschstück Nr. 1 / Dachskulpturen, 1972 Vinyl record, leporello with 64 photographs 1,5 × 18,5 × 21 cm Edition Kunstmuseen Krefeld © VG Bild-Kunst, Bonn Photo: Kunstmuseen Krefeld / Dirk Rose
Reiner Ruthenbeck
Geräuschstück Nr. 1 / Dachskulpturen, 1972
Vinyl record, leporello with 64 photographs
1,5 × 18,5 × 21 cm
Edition
Kunstmuseen Krefeld
© VG Bild-Kunst, Bonn
Photo: Kunstmuseen Krefeld / Dirk Rose
Takis (Panayotis Vassilakis) Musical Hannover 6, 1973 Wooden panel, string, electronic amplifier, loudspeaker, paint 205 × 83,5 × 15,5 cm Kunstmuseen Krefeld © Takis Photo: Kunstmuseen Krefeld / Dirk Rose
Takis (Panayotis Vassilakis)
Musical Hannover 6, 1973
Wooden panel, string, electronic amplifier, loudspeaker, paint
205 × 83,5 × 15,5 cm
Kunstmuseen Krefeld
© Takis
Photo: Kunstmuseen Krefeld / Dirk Rose
Takis (Panayotis Vassilakis) Musical Hannover 6, 1973 (detail) Wooden panel, string, electronic amplifier, loudspeaker, paint 205 × 83,5 × 15,5 cm Kunstmuseen Krefeld © Takis Photo: Kunstmuseen Krefeld / Dirk Rose
Takis (Panayotis Vassilakis)
Musical Hannover 6, 1973 (detail)
Wooden panel, string, electronic amplifier, loudspeaker, paint
205 × 83,5 × 15,5 cm
Kunstmuseen Krefeld
© Takis
Photo: Kunstmuseen Krefeld / Dirk Rose
Bruce Nauman Steel Channel Piece, 1968 steel, tape recorder, tape, megaphone courtesy: The Sonnabend Collection Foundation © VG Bild-Kunst, Bonn 2022 Photo: City of Krefeld, Press and Communication, Andreas Bischof
Bruce Nauman
Steel Channel Piece, 1968
steel, tape recorder, tape, megaphone
courtesy: The Sonnabend Collection Foundation
© VG Bild-Kunst, Bonn 2022
Photo: City of Krefeld, Press and Communication, Andreas Bischof
Bruce Nauman Steel Channel Piece, 1968 (Detail) Steel, tape recorder, audiotape, megaphone 17,8 × 17,8 × 304,8 cm The Sonnabend Collection Foundation Installation view exh. Bruce Nauman. Contrapposto Studies, Palazzo Grassi – Punta della Dogana, Venedig 2022 © VG Bild-Kunst, Bonn Photo: Kunstmuseen Krefeld
Bruce Nauman
Steel Channel Piece, 1968 (Detail)
Steel, tape recorder, audiotape, megaphone
17,8 × 17,8 × 304,8 cm
The Sonnabend Collection Foundation
Installation view exh. Bruce Nauman. Contrapposto Studies, Palazzo Grassi – Punta della Dogana, Venedig 2022
© VG Bild-Kunst, Bonn
Photo: Kunstmuseen Krefeld
David Tudor & Composers Inside Electronics Rainforest V (Version 2), 1973/2015 Sound-object installation, consisting of 20 objects, each with its own sound archive, Dimensions variable Edition: 2/4 Collection Museum der Moderne Salzburg, purchased with funds from the Generali Foundation © David Tudor & Composers Inside Electronics Inc. / Photo: Dirk Rose / Kunstmuseen Krefeld
David Tudor & Composers Inside Electronics
Rainforest V (Version 2), 1973/2015
Sound-object installation, consisting of 20 objects, each with its own sound archive,
Dimensions variable
Edition: 2/4
Collection Museum der Moderne Salzburg, purchased with funds from the Generali Foundation
© David Tudor & Composers Inside Electronics Inc. / Photo: Dirk Rose / Kunstmuseen Krefeld
David Tudor & Composers Inside Electronics Rainforest V (Version 2), 1973/2015 Sound-object installation, consisting of 20 objects, each with its own sound archive, Dimensions variable Edition: 2/4 Collection Museum der Moderne Salzburg, purchased with funds from the Generali Foundation © David Tudor & Composers Inside Electronics Inc. / Photo: Dirk Rose / Kunstmuseen Krefeld
David Tudor & Composers Inside Electronics
Rainforest V (Version 2), 1973/2015
Sound-object installation, consisting of 20 objects, each with its own sound archive,
Dimensions variable
Edition: 2/4
Collection Museum der Moderne Salzburg, purchased with funds from the Generali Foundation
© David Tudor & Composers Inside Electronics Inc. / Photo: Dirk Rose / Kunstmuseen Krefeld
David Tudor & Composers Inside Electronics Rainforest V (Version 2) (detail), 1973/2015 Sound-object installation, consisting of 20 objects, each with its own sound archive, Dimensions variable Edition: 2/4 Collection Museum der Moderne Salzburg, purchased with funds from the Generali Foundation © David Tudor & Composers Inside Electronics Inc. / Photo: Dirk Rose / Kunstmuseen Krefeld
David Tudor & Composers Inside Electronics
Rainforest V (Version 2) (detail), 1973/2015
Sound-object installation, consisting of 20 objects, each with its own sound archive,
Dimensions variable
Edition: 2/4
Collection Museum der Moderne Salzburg, purchased with funds from the Generali Foundation
© David Tudor & Composers Inside Electronics Inc. / Photo: Dirk Rose / Kunstmuseen Krefeld
David Tudor & Composers Inside Electronics Rainforest V (Version 2) (detail), 1973/2015 Sound-object installation, consisting of 20 objects, each with its own sound archive, Dimensions variable Edition: 2/4 Collection Museum der Moderne Salzburg, purchased with funds from the Generali Foundation © David Tudor & Composers Inside Electronics Inc. / Photo: Dirk Rose / Kunstmuseen Krefeld
David Tudor & Composers Inside Electronics
Rainforest V (Version 2) (detail), 1973/2015
Sound-object installation, consisting of 20 objects, each with its own sound archive,
Dimensions variable
Edition: 2/4
Collection Museum der Moderne Salzburg, purchased with funds from the Generali Foundation
© David Tudor & Composers Inside Electronics Inc. / Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view) Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view)
Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view) Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view)
Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view) Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view)
Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view) Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view)
Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view) Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view)
Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view) Photo: Dirk Rose / Kunstmuseen Krefeld
ON AIR. The Sound of the Material in the Art of the 1950s to 1970s, Kunstmuseen Krefeld / Kaiser Wilhelm Museum, 2022 (Installation view)
Photo: Dirk Rose / Kunstmuseen Krefeld
Timm Ulrichs Einton-Musik außerhalb (oberhalb) des menschlichen Hörbereichs (Monotone Music Beyond [Above] the Range of Audibility of the Human Ear), 1969/70 and 2022 Sinusoidal frequency generator, loudspeaker, oscilloscope Dimensions variable © VG Bild-Kunst, Bonn 2022 / Photo: Dirk Rose / Kunstmuseen Krefeld
Timm Ulrichs
Einton-Musik außerhalb (oberhalb) des menschlichen Hörbereichs (Monotone Music Beyond [Above] the Range of Audibility of the Human Ear), 1969/70 and 2022
Sinusoidal frequency generator, loudspeaker, oscilloscope
Dimensions variable
© VG Bild-Kunst, Bonn 2022 / Photo: Dirk Rose / Kunstmuseen Krefeld
Joseph Beuys & Henning Christiansen Celtic + ~~~~, 1971 Video installation, 2 monitors, 2 Shibaden t9 video tape recorders, 7 Memorex video tapes, black and white, Tape A (left) 253 min, Tape B (right) 219 min Kunstmuseen Krefeld © VG Bild-Kunst, Bonn 2022 / Photo: Dirk Rose / Kunstmuseen Krefeld
Joseph Beuys & Henning Christiansen
Celtic + ~~~~, 1971
Video installation, 2 monitors, 2 Shibaden t9 video tape recorders, 7 Memorex video tapes, black and white, Tape A (left) 253 min, Tape B (right) 219 min
Kunstmuseen Krefeld
© VG Bild-Kunst, Bonn 2022 / Photo: Dirk Rose / Kunstmuseen Krefeld
Jean Tinguely Le Chant du Cygne du Bambou, 1963 Wood, scrap iron, wheels, metal rods, rubber belts, bamboo sticks, electric motor 245 × 495 × 110 cm Museum Tinguely, Basel. Ein Kulturengagement von Roche © VG Bild-Kunst, Bonn 2022 / Photo: Dirk Rose / Kunstmuseen Krefeld
Jean Tinguely
Le Chant du Cygne du Bambou, 1963
Wood, scrap iron, wheels, metal rods, rubber belts, bamboo sticks, electric motor
245 × 495 × 110 cm
Museum Tinguely, Basel. Ein Kulturengagement von Roche
© VG Bild-Kunst, Bonn 2022 / Photo: Dirk Rose / Kunstmuseen Krefeld

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