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  • Exhibitions

Beuys & Duchamp
Artists of the Future
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Joseph Beuys, from: 3-Tonnen-Edition, 1973-1985, screen print, two-sided on PVC foil, Photo: Lothar Wolleh, Städtische Museen Heilbronn, Deposit Ernst Franz Vogelmann-Stiftung, Photo: Städtische Museen Heilbronn, © VG Bild-Kunst, Bonn 2021, Lothar Wolleh Estate, Berlin
Joseph Beuys, from: 3-Tonnen-Edition, 1973-1985, screen print, two-sided on PVC foil, Photo: Lothar Wolleh, Städtische Museen Heilbronn, Deposit Ernst Franz Vogelmann-Stiftung, Photo: Städtische Museen Heilbronn, © VG Bild-Kunst, Bonn 2021, Lothar Wolleh Estate, Berlin
Joseph Beuys, Barraque DʼDull Odde, 1961–1967, 2 workshop shelves with over 650 individual objects, worktop, 1 rubber blanket + 1 gutta-percha cloth on the wall, 3 wooden sculptures in front of the double rack, 290 × 400 × 90 cm, Kunstmuseen Krefeld, gift from the collection of Helga and Walther Lauffs, © VG Bild-Kunst, Bonn 2021, photo: Volker Döhne / Kunstmuseen Krefeld
Joseph Beuys, Barraque DʼDull Odde, 1961–1967, 2 workshop shelves with over 650 individual objects, worktop, 1 rubber blanket + 1 gutta-percha cloth on the wall, 3 wooden sculptures in front of the double rack, 290 × 400 × 90 cm, Kunstmuseen Krefeld, gift from the collection of Helga and Walther Lauffs, © VG Bild-Kunst, Bonn 2021, photo: Volker Döhne / Kunstmuseen Krefeld
Joseph Beuys, La rivoluzione siamo Noi (We Are the Revolution), 1972, silk screen on polyester with handwritten text, stamped, 191 × 100 cm, copy 13/180 + 18 a. p., signed and numbered, published by Modern Art Agency, Naples, and Edition Tangente, Heidelberg, Collection Thaddaeus Ropac, London, Paris, Salzburg, Seoul, © VG Bild-Kunst, Bonn 2021, photo: Ulrich Ghezzi
Joseph Beuys, La rivoluzione siamo Noi (We Are the Revolution), 1972, silk screen on polyester with handwritten text, stamped, 191 × 100 cm, copy 13/180 + 18 a. p., signed and numbered, published by Modern Art Agency, Naples, and Edition Tangente, Heidelberg, Collection Thaddaeus Ropac, London, Paris, Salzburg, Seoul, © VG Bild-Kunst, Bonn 2021, photo: Ulrich Ghezzi
Joseph Beuys, Rose für direkte Demokratie (Rose for Direct Democracy), 1973, measuring cylinder (glass) with incised writing, certificate on printed letterhead, measuring cylinder: 33.5 × 5 cm (diameter); certificate: 29.5 × 21 cm, unlimited, No. 1–440 signed and numbered on certificate, with handwritten addition: “Rose,” stamped from copy 441 facsimile certificate, published by Edition Staeck, Heidelberg, Sammlung Ballmann, © VG Bild-Kunst, Bonn 2021, photo: Frank Kleinbach, Stuttgart
Joseph Beuys, Rose für direkte Demokratie (Rose for Direct Democracy), 1973, measuring cylinder (glass) with incised writing, certificate on printed letterhead, measuring cylinder: 33.5 × 5 cm (diameter); certificate: 29.5 × 21 cm, unlimited, No. 1–440 signed and numbered on certificate, with handwritten addition: “Rose,” stamped from copy 441 facsimile certificate, published by Edition Staeck, Heidelberg, Sammlung Ballmann, © VG Bild-Kunst, Bonn 2021, photo: Frank Kleinbach, Stuttgart
Joseph Beuys, Schlitten (Sled), 1969, wooden sled, felt, belt, flashlight, fat, stamped with oil paint (“Brown Cross”), 35 × 90 × 35 cm, edition of 50 + 5 h. c., unnumbered, not signed, published by Edition Block, Berlin, Sammlung Block, loan to Neues Museum Nürnberg, Nuremberg, © VG Bild-Kunst, Bonn 2021, photo: Uwe Walter, Edition Block, Berlin
Joseph Beuys, Schlitten (Sled), 1969, wooden sled, felt, belt, flashlight, fat, stamped with oil paint (“Brown Cross”), 35 × 90 × 35 cm, edition of 50 + 5 h. c., unnumbered, not signed, published by Edition Block, Berlin, Sammlung Block, loan to Neues Museum Nürnberg, Nuremberg, © VG Bild-Kunst, Bonn 2021, photo: Uwe Walter, Edition Block, Berlin
View of the exhibition Marcel Duchamp, Museum Haus Lange, Kunstmuseen Krefeld, June 19–August 1, 1965, © Association Marcel Duchamp, ADAGP, Paris / VG Bild-Kunst, Bonn 2021, photo: Schambach & Pottkämper, Krefeld
View of the exhibition Marcel Duchamp, Museum Haus Lange, Kunstmuseen Krefeld, June 19–August 1, 1965, © Association Marcel Duchamp, ADAGP, Paris / VG Bild-Kunst, Bonn 2021, photo: Schambach & Pottkämper, Krefeld
Marcel Duchamp, Roue de bicyclette (Bicycle Wheel), (1913) 1964, mixed media, stool, bicycle fork, spokes, 128 × 64 × 33 cm, Ex. 1/8, edition of Galleria Schwarz, Hessisches Landesmuseum Darmstadt, © Association Marcel Duchamp, ADAGP, Paris / VG Bild-Kunst, Bonn 2021, photo: Hessisches Landesmuseum Darmstadt, Wolfgang Fuhrmannek
Marcel Duchamp, Roue de bicyclette (Bicycle Wheel), (1913) 1964, mixed media, stool, bicycle fork, spokes, 128 × 64 × 33 cm, Ex. 1/8, edition of Galleria Schwarz, Hessisches Landesmuseum Darmstadt, © Association Marcel Duchamp, ADAGP, Paris / VG Bild-Kunst, Bonn 2021, photo: Hessisches Landesmuseum Darmstadt, Wolfgang Fuhrmannek
Marcel Duchamp, Nu descendant un escalier (Nude Descending a Staircase), 1937, collotype and pochoir on paper, 35 × 19.8 cm, Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin, © Association Marcel Duchamp, ADAGP, Paris / VG Bild-Kunst, Bonn 2021, photo: Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin / Fotoagentur nordlicht
Marcel Duchamp, Nu descendant un escalier (Nude Descending a Staircase), 1937, collotype and pochoir on paper, 35 × 19.8 cm, Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin, © Association Marcel Duchamp, ADAGP, Paris / VG Bild-Kunst, Bonn 2021, photo: Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin / Fotoagentur nordlicht
Marcel Duchamp, De ou par Marcel Duchamp ou Rrose Sélavy (Boîte-en-valise) (From or by Marcel Duchamp or Rrose Sélavy [The Box in a Valise]), (1941) 1966, cardboard box, covered with red leather, miniature replicas and color reproductions of works by Duchamp, box: 41.5 × 38.5 × 9.9 cm, 80 reproductions in various sizes, series F, edition of 75, unnumbered, Staatsgalerie Stuttgart, Graphische Sammlung, acquired 1980, © Association Marcel Duchamp, ADAGP, Paris / VG Bild-Kunst, Bonn 2021, photo: bpk / Staatsgalerie Stuttgart
Marcel Duchamp, De ou par Marcel Duchamp ou Rrose Sélavy (Boîte-en-valise) (From or by Marcel Duchamp or Rrose Sélavy [The Box in a Valise]), (1941) 1966, cardboard box, covered with red leather, miniature replicas and color reproductions of works by Duchamp, box: 41.5 × 38.5 × 9.9 cm, 80 reproductions in various sizes, series F, edition of 75, unnumbered, Staatsgalerie Stuttgart, Graphische Sammlung, acquired 1980, © Association Marcel Duchamp, ADAGP, Paris / VG Bild-Kunst, Bonn 2021, photo: bpk / Staatsgalerie Stuttgart
Marcel Duchamp, In Advance of the Broken Arm, (1915) 1964, edition of the original Readymade, wood, galvanized metal and iron, 132 × 35 × 11 cm, copy 2/8, edition of Galleria Schwarz, Milan, Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin, © Association Marcel Duchamp, ADAGP, Paris / VG Bild-Kunst, Bonn 2021, photo: Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin / Gabriele Bröcker
Marcel Duchamp, In Advance of the Broken Arm, (1915) 1964, edition of the original Readymade, wood, galvanized metal and iron, 132 × 35 × 11 cm, copy 2/8, edition of Galleria Schwarz, Milan, Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin, © Association Marcel Duchamp, ADAGP, Paris / VG Bild-Kunst, Bonn 2021, photo: Staatliche Schlösser, Gärten und Kunstsammlungen Mecklenburg-Vorpommern, Staatliches Museum Schwerin / Gabriele Bröcker

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