Elmgreen & Dragset
White Maid, 2014
Aluminum cast, steel construction, white super matte lacquer finish, clothing
160 x 45 x 42 cm
Courtesy: Galerie Perrotin
The Old World, Fig. 1, 2014
Matt lacquer on wood, steel, mirror, clock, frames
227 x 115 x 30 cm
Courtesy: Galerie Perrotin
Photo by: Joyce Yung
© Elmgreen & Dragset and VG Bild-Kunst, Bonn 2017

ELMGREEN & DRAGSET
DIE ZUGEZOGENEN

MUSEUM HAUS LANGE
19 FEBRUARY – 27 AUGUST 2017

Opening: February 19, 2017, 11.30 a.m.

For their solo exhibition Die Zugezogenen [The Newcomers], Elmgreen & Dragset treat Haus Lange as it was originally intended: a family home. The artist duo stages the moment that a fictional German family moves in. Having previously relocated to Britain, the family has now decided to move back to Germany following Brexit.
Elmgreen & Dragset combine their own sculptural work with ready-made furniture and artefacts in order to create a domestic setting. Some items have already been unpacked and installed, while others remain semi-wrapped or in boxes. Presenting the family’s move as a symbol of a changing Europe, the exhibition reflects upon the visions of Modernist architecture in light of today’s reality, and considers how many of these ideals now seem distant from our current, global, geopolitical situation.
With their first solo show in the Rhineland, Elmgreen & Dragset continue — in their own inimical way — the tradition of site-related works that already established itself in Haus Lange in the early 1960s. Michael Elmgreen (*1961 in Copenhagen, Denmark) and Ingar Dragset (*1969 in Trondheim, Norway) have worked as an artist duo since the mid-1990s. In their sculptures, installations and performances they re-interpret the familiar and quotidian with socio-critical humor and subversive wit. From their sensational installation of a Prada boutique in the Texas desert to their contributions to the Danish and Nordic Pavilions at the Venice Biennale 2009, to their conception for an ostensible art fair in Beijing in 2015, Elmgreen & Dragset constantly devise new possibilities in art presentation and reception and for the use of public spaces. In Fall 2017 they will curate the Istanbul Biennale.

The exhibition will be accompanied by a publication.

Curators: Dr. Magdalena Holzhey together with Irina Raskin

The exhibition is funded by

 

Garden design

     

The exhibition is supported by

     

     

     

 

Media partner